Provided the explosive signature sound for 80s drum machines

Stereo, dual mono (with two sets of controls), or mid-side processing

Two de-essing modes—wideband, or high frequencies only

Two independent sidechains per channel

Designed in close cooperation with BSS Audio

Combine compression, limiting, and de-essing, or use separately

Rear-panel hardware jumpers are now a drop-down software menu

Control dynamics separately for selected frequency ranges

Parallel processing with mix control, and added output limiter