All three sections -- Synthesizer, Brass, and Strings -- superbly recreated and significantly enhanced with expanded functionality and modulation options

Up to 16 voices for each section o Polyphonic Synthesizer section with dedicated mixer o Paraphonic Brass and String sections with dedicated mixers

Support for velocity and aftertouch (including polyphonic aftertouch with compatible controllers) and pedal expression, independently assignable to the sections to control volume, filter, and modulation

Synthesizer Section o Voice Modes: Monophonic, two Polyphonic modes, or 2, 4, 6, or 8 Unison o Two VCOs: one with sawtooth, pulse width, and PWM waveforms; the other with sawtooth, triangle, and pulse width o VCF per voice with LP, HP, Band, or Notch response and keyboard tracking, based on the original's SSM 2044 o Two envelope generators (EG) o Syncable dedicated Modulation Generator (LFO) with triangle, sawtooth, ramp, square, and sample & hold waveforms, with delay and retrig

Brass Section o Dedicated filter with cutoff, resonance, EG intensity, auto damp o Dedicated vibrato with delay and E

String Section o Dedicated filter with attack/release envelope o Equalizer o Bowing control o Vibrato with delay

Master Mixer with stereo panning, transpose, and master tune

Pitch bend and vibrato joystick controls, with glide for the synthesizer section

Hideable switching lower panels for Keyboard, Motion (a new feature), and Effects

Independent key range assignment for all three instrument sections for layering and splitting, with crossfade, assignable through draggable zone handles or "Quick Split" templates

16x2 polyphonic step sequencer with start, stop, and auto start options, with accurate DAW clock and step synchronization

Patterns can be programmed to record real-time notes or as steps, with ties, accents, and Pattern A and Pattern B variations and combinations

Two assignable dynamic arpeggiators with four modes – Arp, Leap, Order, and Random

Swing, Chance, and Feel groove controls for both the sequencer and arpeggiators to add degrees of randomness to arpeggiated patterns

Four independent customizable chains of effects, one for each instrument section plus global, with a global effect modulator