At the core of SuperPlate are meticulous models of the EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III reverb units. Its three different flavors of analog coloration – Tube, Solid-State and Clean – can be used in combination with any of SuperPlate’s styles.

Its wide range of modern digital features includes infinite decay time, built-in predelay, expanded modulation controls, full-featured EQ for detailed tonal shaping, and a unique decay ducking option that adjusts decay time to reduce overlap or build-up.

CLASSIC 140

Based on the EMT 140 (1957), the most well-known and the first commercially successful plate reverb. It was made by hanging a plate of cold-rolled steel in a metal frame, and as legend has it, the steel came from one specific Welsh ore mine. The EMT 140 was a studio standard for many years, and is what most people reference when they talk about plate reverb.

GOLDFOIL 240

Based on the EMT 240 (1970) the successor to the EMT 140. The EMT 240 was technically not a plate at all, and was designed to create a more compact and portable reverb. Instead of a steel plate, it used a thin foil of 24-karat gold to create its distinctive darker and tighter sound.

AUDICON

Based on Audicon’s “The Plate” (c. 1971) also known as the “Lawson Plate”. It was designed by Gene Lawson (Lawson Microphones) in Nashville to be a more economical plate reverb for those who couldn’t afford an original EMT 140. It was manufactured by console manufacturer Auditronics out of Memphis, Tennessee.

STOCKTRONICS

Based on the Stocktronics RX4000 (1978). The RX4000 is the only Swedish plate we know of, and it uses a steel alloy plate with “low internal crystallic damping characteristics” [1] which gives it a very distinctive extended high frequency response. In other words, this plate has zing!

E. PLATE III

Based on the EcoPlate III (c. 1982). The EcoPlate III was the third and smallest version of the EcoPlate series. All three EcoPlate versions were designed by Jim Cunningham. The EcoPlate series uses a stainless steel alloy to create its reverberation and all three versions have an exceptionally bright and spacious sound.

All plate reverbs use a pre-amplifier to drive the “voice coil” that turns electrical sound waves into the physical vibrations of a plate reverb device. We’ve included two different preamp models in SuperPlate, Tube and Solid-State, along with a Clean mode – which can each be used in combination with any of SuperPlate’s styles.

The Tube mode is modeled on the original EMT V54 preamp that was used in the earliest EMT 140 plates and can be used to add a little (or a lot) of harmonic spice to your sound before it hits the reverb.

The Solid-State mode is modeled on the EMT 162 preamp that was used in later versions of the EMT 140. This model has a built-in compressor that can be used to help control and tame transients on their way into the reverb.

SuperPlate’s Clean mode strips out all preamp modeling and preserves the pure sound of the various plate models without any additional harmonic distortion or dynamics.