With the increasing popularity of immersive audio, creating a realistic, believable space has never been more crucial. The IR360, based on the IR1’s acclaimed convolution reverb engine, delivers over 2,000 “you-are-there” 5.1 surround environments—from stairwell, to opera house, to arena.

You can even reproduce a specific environment’s sound in post-production, so that it matches your field recordings—capture an impulse of the acoustic environment, then load it into the IR360.

The Convolution Difference

Algorithmic reverbs can sound beautiful, just like an oil painting or watercolor can look beautiful. But convolution reverb is more like taking a photograph of a space—which is why convolution reverb rules for realism.

Sound Design? Sure!

The IR360 isn’t only about realism. The unusually flexible editing options allow warping natural spaces into anything—from physical spaces that exist only in the imagination, to alien soundscapes.

Bring World-Famous Venues to Your Session

Maybe you want the sound of Nashville’s Ryman Auditorium. Or Wembley Stadium. Or the Royal Festival Concert Hall. Or the Apollo Theater. You’re covered.

Over 2,000 Spaces

Within the spaces, it’s often possible to change the sonic perspective. The meticulously recorded impulses of acoustic spaces may include different seating positions and microphone polar patterns.

Clever Customization

Trim the impulse start for an instant attack, or the end for a shorter reverb. Shape the decay however you want. Control gain and predelay parameters individually for the early reflections and reverb tail.